DAVID HIGGS
Press
Notices
The New York Times
"As associate
organist (
The New York Times
"Mr. Higgs'
outstanding virtues are three: very secure finger work, an unusual sense of
tempo that is at once buoyant and rock-steady, and an imaginative judgment of
organ registrations that subtly exploits a wide range of effects but never
insists on showing us the whole range within a single piece. Of these, the
rhythmic security is perhaps most remarkable. One felt it immediately in the
athletic flow of Bach's D Major Prelude."
The New York Times
The American Organist
HOUSTON (National Convention, The American Guild
of Organists) "David
Higgs made a sensational national convention debut....Playing from memory with
a security, musicality and aplomb that would grace any musical stage, Higgs
gave brilliant performances of everything. … spontaneous,
well-deserved standing ovation."
The American Organist
San Francisco Sentinel
“Thursday’s
performance, with organist David Higgs (and the San Francisco Symphony) … was
superbly persuasive.”
San Francisco Chronicle
The Plain Dealer
Skaneateles Festival 2006
“Cellist
Alisa Weilerstein, violinist Corinne Stillwell and
organist David Higgs filled their interpretation of Josef Rheinberger's
Suite in C Minor for Organ, Violin and Cello with so much unbridled emotion that
once the last chord of the piece died away, the audience jumped up with
applause. “ The
Post Standard,
Pastiempo
– The New
Mexican’s Weekly Magazine of Arts, Entertainment & Culture
The News &
Courier
Express-News
The
AUSTIN "ORGAN FANS PACK SEASON PREMIERE … David
Higgs, a ... wonder
Austin-American Statesman
BUFFALO "ORGANIST SHOWS WHY HE'S TOPS … David
Higgs, associate
The
The Diapason
The
BRYN MAWR "Bravo! and Bravo! was
heard repeatedly. … This shining, bright talent seems large enough to push out
the walls."
The Royal
Gazette
The American Organist
Union News
RECORDING REVIEWS
David Higgs at
“…this
disc reveals an artist whose seemingly unlimited facility is well upstaged by a
delight in organ sonority and musical line. Never once does Higgs fail in
finding just the right sound, moulding it with care,
affection, sincerity, and intelligence.”
The
Diapason
Bach at Bryn Mawr
(
"Anyone
who heard David Higgs' note-perfect memorized recital playing in the presence
of the many hundreds at the Houston AGO National Convention in 1988 will be
captivated by this impeccable recording. … The playing is simply astounding,
with perfect technique and note accuracy, as well as musicianship"
The American Organist
"David
Higgs' tempos lie somewhere near the end of the speed spectrum, usually without
going up and out. His superb accuracy, vibrancy, rhythm, and wide variety of
touches used intelligently make his playing a pleasure to hear. The
tour-de-force of this CD is his superlative performance of the Vivaldi-Bach
Concerto. The Prelude in D is quite magnificently played...The Sonata No. 5 is
performed with jewel-like precision and clarity. The treacherous last movement
is played with consummate mastery. The
Fantasia in G minor is visceral and impressive . . . “
American Record
Guide
"In
all of these works Higgs produces a bright, clean sound, always attractive and
free of mannerism."
San Francisco Chronicle
"David
Higgs' breathtaking performance of the G minor Fantasia and Fugue by itself is
worth the price of this recording--it is hair-raising, dramatic and intense
with an exquisite sense of phrasing."
The Diapason
"Higgs
plays an energetic and forceful Bach that is carefully controlled and
technically perfect. He easily stands
comparison with the best of today's European Bach specialists."
The Sunday Camera (
"Like
Heiller, David Higgs possesses a formidable technique
that enables him to dash off the most difficult passages with ease."
Cash Box
“Best
recording of 1993.”
Absolute Sound